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Tuesday, August 27, 2013

Review: THE COLD DISH by Craig Johnson

Posted on 8:08 PM by Unknown
the cold dish cover

The biggest crimes the town of Durant, Wyoming, usually sees are escaped ranch animals and drunk cowboys. But when a young man convicted in the gang rape of a Cheyenne girl is found in a sheep field, Sheriff Walt Longmire senses his days of phoning it in are over.

The Cold Dish is the first book in the Longmire series. It's not as good as Hell is Empty, but that's a good thing—after seven years and six books, one would hope that an author's work would improve, right? I basically got really impatient reading The Cold Dish because: 1. it's the first book in the series, which means there's a lot of exposition about things I'm already familiar with from watching the TV show; and 2. it took me forever to get through. This is mainly my own fault: I started it when I was busy and lucky to carve out fifteen minutes of uninterrupted reading time. Unfortunately, this isn't the type of book you can just pick up and get into right away, so I struggled through the first half and almost DNF'd it.

The Cold Dish finally starts to get interesting around the 150 page mark, when Walt goes onto the rez with his BFF, Henry Standing Bear, to question the father of the girl who was raped. Yes, it took him that long. The father's not a suspect because he can't walk, and Walt doesn't have any jurisdiction on the Indian reservation, but still. When he visits, the girl's dad gives Walt the legendary Cheyenne Rifle of the Dead, which was used in the Battle of the Little Bighorn and, it's implied, killed General Custer. The rifle is haunted by the Old Cheyenne who sometimes use it to call people to the land of the dead. Intriguing, no? Then things get really exciting because more of the rapists start dying.

So I did like the second half of the novel, but it was a long dang walk up to that point. On the plus side, even with the slow start, The Cold Dish definitely has its redeeming qualities. First of all, despite the dark subject matter, there's a lot of humor in the novel. Craig Johnson is as familiar with the universe of rural Wyoming as Jane Austen was with the gentle society of Regency England, and takes a similar tolerant-yet-ironic tone when describing the characters and foibles that populate his world. Aside from Walt, the secondary characters are awesome: Henry of the non-contractions has a very droll sense of humor, and gets most of the best lines in the book; and there's also Lucien, the former sheriff of Absaroka County and Walt's mentor, who's a crazy kamikaze badass living in a nursing home. Really all the main secondary characters are very well-realized except for Vonnie, but that's another story.

As I read The Cold Dish, I couldn't help but compare it to The Cuckoo's Calling. Unexpectedly, the two novels have a lot in common: they're both debut mystery novels that are reinterpretations of the classic noir set-up, with a down-on-his-luck, depressed, ex-military hero who's practically homeless; tons of literary references; and walking and talking. What is it with the walking and talking?! But The Cold Dish feels like a more original and organic twist, is more fully populated with characters and locations, has a better mystery (although the conclusion still made me roll my eyes), and the literary references are much more clever and integrated into the story. So I would say overall The Cold Dish is the better book.

Even though this book didn't wow me like Hell is Empty did, I'll definitely keep reading the Longmire series because I think Johnson is a great writer and the characters he's created are awesome.




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Posted in craig johnson, mystery, review, walt longmire | No comments

Monday, August 12, 2013

Guest Post by Sandra Owens, Author of THE LETTER

Posted on 3:00 AM by Unknown
the letter cover

Dear Cousin mine,
If you are reading this letter, then I am dead. A pity that.

Thus begins the first lines of my Regency, THE LETTER. Where does a writer find their inspiration? Everywhere.

I recently read this quote posted on the Aerogramme Writer’s Studio Facebook page. “Everybody walks past a thousand stories every day. The good writers are the ones who see five or six of them. Most people don’t see any.”

So very true. My inspiration for THE LETTER came from a snippet on the news, yet the story itself is a different thing altogether. One word overheard, a glimpse of a mother in the mall, a mix of sadness and pride in her eyes as her daughter models a possible prom dress, a young couple giddy with happiness as they try on matching wedding rings in a jewelry store…all seeds for a story that when written bear no resemblance to the actual happening.

If I were Stephen King, a month after the purchase of the prom dress, the daughter would put on the gown and frightening things would begin to happen. Unbeknownst to her, the gown is haunted by a girl bent on revenge. Perhaps she had been born to an evil mother and died at the hands of her parent while wearing the dress. Now, her spirit lives on in that silk material and each time the gown comes into the possession of another girl, the dead girl seeks vengeance….

See how that works? Of course, Mr. King would conjure a story much better and a whole lot scarier than mine but as writers, all we have to do is open our eyes to the possibilities and then ask ourselves what if.

After seeing that bit on the news that inspired THE LETTER, the seed took root and about a week later, I awoke one morning with the complete letter in my head that begins the book. It is not a love letter, but one from a man whose evil scheme tore apart two lovers on the eve of their wedding. What if the couple was reunited eleven years later? What if they realized they still had feelings for each other, but had to struggle through the lies and secrets of the past?

The seed for THE TRAINING OF A MARQUESS, another of my books, came from my fascination with pet whisperers. After reading several books about horse whisperers, the “what ifs” started. What if a woman in Regency England was a horse whisperer? What if she wore breeches? What if she fell in love with a man who guarded his heart and vowed never to marry again? What if she used her horse whispering magic on him?

When writing, there is always research no matter the story, more so when writing a Regency. Do I have the clothing right? How much did a gown cost in 1814? What about my words? The word hello didn’t exist at that time, so a Regency writer must find ways for their characters to greet each other that fit the era. I once read a Regency book where the heroine said, okay. Ah…that’s not okay!

Fortunately, research is much easier today with the internet. For the contemporary romance series I’m writing about a group of ex-SEALs, I’ve done so much on-line weapons research that I’m confident I’m on a government watch list or two. If CIA type men wearing suits and dark sunglasses show up at my door some day, it wouldn’t be a complete surprise. I will, however, say, “Mmmm….What if?”

Thank you for inviting me to guest post on Truth Beauty Freedom & Books. I’ve enjoyed it immensely.

Sandra Owens

www.sandra-owens.com

The Letter: http://www.amazon.com/dp/B00C1IHMGY



Blurb:
THE LETTER is the story of a betrayal that wasn’t. Even so, it still tore apart two lovers for eleven years.

On the eve of their wedding, Michael Jeffres, Earl of Daventry, found his betrothed— the woman who meant as much to him as the air he breathed—in bed with his cousin, Leo. Diana remembers nothing of that night. All she knows is that she was forced to marry Leo and then spent the next eleven years in hell.

When the two lovers are brought back together by a letter from Leo a year after his death, Michael and Diana must struggle through all the lies and secrets before they can find a love that far surpasses the one of their youth.


Author Bio:
Sandra lives in the beautiful Blue Ridge Mountains of North Carolina. Most days, you can find her with her fingers on a keyboard, her mind in the world of her imagination. It's a land where romance and happy endings exist, a land where anything is possible.

When her husband can drag her away from her computer, she likes to travel with her very own hero in their RV, but she always brings her laptop. There are still stories to write, after all.

A few highlights of Sandra's life she fondly recalls are jumping out of a plane, flying upside down in a stunt plane, and riding her Harley in the mountains of Southern California and along the coast of Maine. She's managed a private airport and held the position of General Manager of a Harley-Davidson dealership.

Although those events in her life were great fun, nothing compares to the joy and satisfaction she gets from writing her stories.


Buy Links:   Amazon 

Where to find Sandra:  Website | Blog | Twitter | Facebook | Goodreads





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Posted in guest post, sandra owens | No comments

Monday, August 5, 2013

Review: LICK by Kylie Scott

Posted on 8:48 PM by Unknown
lick cover

Evelyn is celebrating her 21st birthday in Las Vegas, hoping to have some fun for once and maybe get a little action. Then she hits the tequila and the next thing she knows, she's waking up on a bathroom floor with a ring on her finger and a shirtless guy with tats looming above her. Yup, Ev just got drunk-married in Vegas because her life is a total cliché. Somehow she's managed to land the lead guitarist of a rock band called Stage Dive, of which she is of course completely ignorant even though they're the most famous rock band in the world. Evelyn tries to go back to her normal life and divorce David, but circumstances conspire to bring them together. Will these two crazy kids find a way to work things out?

Hey! It's time to play Tasha's least-favorite book game: Where the Hell was the Editor? Supposedly Lick was published by an actual publisher, but you'd never know that from the book itself, which contains more silly typos than I've seen in many self-published books. Whoever edited this book—if anyone did, and I wouldn't be surprised if the answer was no one—apparently didn't have an English degree, or they'd have noticed the author erroneously believes "alright" is a word. Alright is not a word, it is a misspelling of the phrase "all right" by people who believe words and phrases such as "all ready" and "already," and "all together" and "altogether" are interchangeable. They're not, they have separate meanings; whereas "alright" doesn't mean anything because, to repeat, IT IS NOT A WORD. I'm willing to let the use of "alright" go with my friends' Facebook postings and the like, but if you're writing professionally, you damn well better know what is and isn't a word.

Aside from "alright," Kylie Scott uses words and phrases in ways that are really awkward and kind of make me wonder if English is her first language or not. I don't usually include quotes in my reviews, but I just have to share some of the weirder moments:

I flailed. It seemed the only proper response. 
Like, literally flailed? Like a muppet flail?

muppet flail


(Evelyn flails several times during the course of the novel, actually. I have no idea what this is supposed to mean, since in context it makes no sense either literally or metaphorically.)

Saying no under these conditions was a big ask. 
A big task? A lot to ask?

"You're frowning." David walked up behind me slowly. 
How does he know she's frowning if he's behind her? (The locations/times in this book are really inconsistent and show no attempt at continuity.)

"Right." He pinched his lips between his thumb and forefinger. "Well, I think not fucking around on each other would be a good start." 
Wait, what? Why is he making a duck face?

Martha gave him a hazardous smile. There was no other word for it. 
You should probably try to find another word, though, because "hazardous smile" isn't really, you know, a thing. Dangerous smile, perhaps? Seems like someone was using the thesaurus.

And on and on. All that wouldn't even bother me too much, though, if the subtext of Lick didn't reinforce gender stereotypes and feminine subjugation to male authority in the most insulting way possible. The way David treated Ev seemed designed to press every single this-guy-is-a-controlling-shithead button I have. During the course of the novel, he:

  • Picks out Evelyn's clothes for her.
  • Implies her own choice of clothing is inappropriate.
  • Tells her what/when/how to eat; comments on her weight.
  • Treats Ev, on multiple occasions, like "a doll" and "a child."
  • Undresses her when she's unconscious, then expects kudos for not banging her passed-out self (why is this a thing?? My mom had a bunch of Glenna Finley books where this always happened, too).
  • Wakes her up at five in the morning because he's bored. Poor baby!
  • Makes her lie in bed while he's sleeping even though it's the middle of the afternoon and she's not tired, because apparently she's his personal cuddle bunny.
  • Has the emotional maturity of an 8-year-old and throws temper tantrums when he doesn't get his way (such an attractive quality in a man).
  • Won't let her talk to other guys and immediately accuses her of cheating on him when she does.
  • Follows up an incident where Evelyn is sexually harassed in a bar by accusing her of wanting it, then giving her a taste of "rough sex" (not rapey, not rapey AT ALL).
  • Undermines her plans to become an architect.


The last point was particularly upsetting, because Evelyn seems to believe this is a good thing. When the book first starts, she's going to college and plans to become an architect like her dad. Everything's hunky dory until David starts in with the, "Are you SURE you want to be an architect? You don't really sound too excited about it. Are you ABSOLUTELY CERTAIN you want to do that with your life?" Well of course she isn't, she's 21 years old and has no hobbies or interests outside of school and being David's personal dick warmer! After David plants the seeds of doubt in Evelyn's mind that maybe she doesn't *really* want to be an architect, she decides she's going to drop out of college altogether (or all together? ha!) and be a barista, because that's the only thing she's good at. It might be interesting to note that David himself never graduated from high school. Coincidence? No wonder her parents hate this guy. I'm sure she'll be very happy cooking and cleaning for him and trailing after him on tours. Way to write a woman's story, there.

Lick is probably the worst book I've read since Fifty Shades of Grey. The writing style is sloppy bordering on nonsensical and the message is awful. The sex scenes are hot, I will say that much; but they're used gratuitously when actual conversation would have done a lot more to advance character development and plot, and Evelyn's never an equal participant in them. David might as well have been jerking off.

So, yeah, I was pretty annoyed by the time I finished this novel. I think I'm pretty much an outlier in that opinion, though.



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Posted in contemporary romance, kylie scott, review, romance | No comments

Saturday, August 3, 2013

Review of THE CUCKOO'S CALLING by JK Rowling/Robert Galbraith

Posted on 8:27 PM by Unknown
cuckoo's calling cover


Proposed alternate title: "Lucky Strike" (it's ironic... or is it?)

Comoran Strike is down on his luck, to say the least: he just broke up with his rich fiancé, is sleeping in his office because he can't afford a hotel, is one more missed rent check away from losing his business, and on top of all that he only has one leg. Pretty sad story. But his fortunes turn when temp secretary Robin shows up at his door. Soon he's garnered a case that seems impossible to solve: the death of a famous supermodel, which the police ruled a suicide. Her brother believes it was murrrderrrr and wants Strike to prove it. Will Strike be able to solve the not-actually-a-murder and get his shit together by the end of the book???

JK Rowling and a mystery novel, what could go wrong? I heard The Cuckoo's Calling described somewhere as a classic hardboiled detective mystery but without the misogyny, and that's actually a perfect single-sentence summary of the book (not that it passes the Bechdel Test--it doesn't). You've got everything from a His Girl Friday to antagonistic police detectives and a slew of suspects, so it definitely aims to please crime novel fans, of which I am one. That said, the mystery is truly ridonkulous and the story ain't exactly gripping.

When The Cuckoo's Calling begins, it's surprisingly funny and entertaining. Like I was literally laughing out loud. Robin and Strike have great chemistry and I loved that Robin's dream as a kid was to be a private detective (you have to admit it sounds like a cool job). She is alllll up in the gumshoeing. Strike is also a great character, very sympathetic and with a Dark Past. I was enjoying The Cuckoo's Calling so much I was actually considering buying it. In hardcover! If you know anything about me, this is a supreme vote of confidence.

BUT. As the book went on, it got pretty boring. There is a lot of talking in this novel. Walking and talking, talking and walking, that's all Strike does for 150 pages; and it feels like an exercise in futility because there are no clues or information about the supposed murder. Instead of an actual mystery, we're treated to meditations on some of Rowling's pet topics: celebrity, daddy issues, blah blah blah. I don't mind mysteries that are just an excuse to talk about other things by any means, but one generally does need some plot in there to keep the whole thing moving. The Maltese Falcon's mystery was a metaphor, too, but The Maltese Falcon was also only about 200 pages, not 450.

The story does pick up later in the book, when Strike finally gets around to interviewing people who might actually know something, but the conclusion... UHG. It was unholy annoying. First of all, as I mentioned, the mystery was head-shakingly silly. I guessed who the murderer was about halfway through the novel, so that wasn't a surprise, and I had kind of figured out the how and why by the time the big Poirot-style reveal came around, too. But the clues Strike used to figure everything out stretched the bonds credibility. The puddle on the floor made him think flowers instead of snow even though it was snowing outside, really? This man's ability to wildly speculate on what evidence means is mind-boggling.

Also, the end of the novel left a whole bunch of loose threads hanging. Such as: why in the name of god is this book title The Cuckoo's Calling? The model is only called Cuckoo once in the entire course of the novel, and the main character is named Strike! Does Rowling not watch Castle at all?? How can you have a detective named Strike and not use that as a play on words in the title? Also, why did Strike start a PI business? Who does that anymore? He could have done anything: gone back to university, worked for the police, started a security consulting firm (which, if the romance novels are to be believed, is a much more lucrative profession). I still have no idea what his motivation is. After 450 pages of walking and talking, have I mentioned that???

I am also—and perhaps unreasonably—annoyed that there wasn't more of Robin in the book. For one, the only entertaining scenes, aside from one notable exception (Strike club crawling with a ditsy model), were the ones with Robin in them. I can't help but feel that The Cuckoo's Calling would have been much more interesting if it had been framed as Robin's story rather than Strike's. And I think there's an argument to be made that the book IS actually Robin's story, but the series needs to play out a bit more before I'll commit to that.

I'm not saying that The Cuckoo's Calling is an awful book, just that it's a mixed bag. It's too long and Rowling could do with putting more work into her mystery plots. But like I said, the beginning is delightful and Rowling's writing is as clever and sharp as ever. I think if you're a fan of Rowling's you'll want to read The Cuckoo's Calling, and you'll probably even enjoy it. Despite my general annoyances with this one, I'll definitely read "Robert Galbraith's" second book.


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Posted in jk rowling, mystery, review, robert galbraith | No comments

Saturday, July 27, 2013

Review: THE SALARYMAN'S WIFE by Sujata Massey

Posted on 4:16 PM by Unknown
salaryman's wife cover

Rei Shimura is a Japanese-American (father's Japanese, but she was raised in the US) living in Tokyo. Why I'm not sure, since she hates her job and is so poor she has to live in one of Tokyo's worst neighborhoods, sharing a crappy apartment the size of a postage stamp. Obviously, she needs a vacation, so for New Year's she travels to the small mountain town of Shiroyama. Unfortunately, while she's there, one of the guests in her hotel dies. The police think it's suicide, but Rei knows there's something suspicious about the death of the salaryman's wife.

Penny from Penelope's Romance Reviews recommended The Salaryman's Wife to me when I said I love anything having to do with Japan in my review of Ink. I'm so glad she did! I loved Sujata Massey's voice and the setting was fantastic. Rei was also a very sympathetic, intriguing character, even though her determination to live in Japan never made total sense to me. If it's because she likes Japanese antiques, that doesn't seem like a strong enough reason to work at job you hate and live in penury. I can understand her deciding to take a chance and move to Tokyo without a job lined up, but most people who do something risky like that give themselves a time limit to make things work, which Rei apparently didn't.

I had some other minor quibbles with the book: who the murderer was and the motive was pretty obvious, and other plot twists and clues practically had a notation next them in the text saying, "This will play a role later in the novel!"

But none of that bothered me too much because The Salaryman's Wife tells a great story. It's not so much a mystery as a book about a young woman finding her place in the world. When The Salaryman's Wife starts, Rei is very sensitive about her mixed heritage and the fact that she's a foreigner who doesn't fit in. She doesn't know what she wants to do, just that she's not doing it. What she does know is she wants to stay in Japan. By the end of the book she's confident, knows what she wants, and is pursuing her dreams. And the way in which this happens is incredibly implausible and 100% delightful.

I also liked Massey's writing style. She doesn't spell everything out and lets the reader do some work to discover what's going on sometimes. The personalities and motivations of the secondary characters are slowly revealed over the course of the book, too, and the story never dragged or seemed boring.

Plus, romance! There's a romantic subplot with Rei and a Scottish lawyer named Hugh. While I did like the romance (of course), I'm still not too sure about Hugh. He can be pretty insensitive sometimes, and what was with the coterie of women that kept treating him like a gigolo? I'm a little worried he won't be there for the long haul, which would be upsetting since I am sort of attached to him, despite my reservations. But he's coming back in the next book, which makes me happy since I'll definitely be reading it!

This is a great mystery I'd recommend, especially if you're a fan of Elizabeth Peters.


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Posted in japan, mystery, sujata massey | No comments

Saturday, July 20, 2013

Review of THE LADY VANISHES by Ethel Lina White

Posted on 8:08 PM by Unknown
cover of the lady vanishes book

(Actual title is The Wheel Spins, but Amazon and Goodreads have apparently decided to rename it. To be fair, The Lady Vanishes is a much better title.)

Iris Carr is a spoiled, wealthy young woman on holiday at some vaguely Alpine resort filled with English tourists. After catching the last train out to Trieste, Iris meets the bubbly Miss Froy, a middle-aged governess returning to England after years abroad. Iris decides to take a nap and when she wakes up, Miss Froy has disappeared. Even more strange is that everyone denies she was even on the train! Certain that something terrible has happened to Miss Froy, Iris enlists the help of the men folk, but they think she's crazy. After a while, Iris starts to wonder if they aren't right.

If you've seen the movie by Alfred Hitchcock, The Lady Vanishes, Ethel White's novel is very similar (in Fear in the Sunlight, Nicola Upson painted Hitch as someone who had no respect for the original work when adapting novels to film; she obviously knows shit-all about Hitchcock movies), right down to the time symbolism and British ethnocentrism. Honestly, the only difference between the book and the movie is that White gives us a ton of backstory about all the other English passengers on the train and why they don't mention they've seen Miss Froy, plus scenes of Miss Froy's family waiting for her in England. So we know from the outset that Miss Froy is real and not a figment of Iris's imagination, which kind of takes the fun out of the whole thing. I also really didn't care about the other English passengers. At all.

In other words, the movie is better than the book. Don't feel the need to read The Wheel Spins/Lady Vanishes, even if you love the movie.

That being said, I found the elaboration of themes in the novel interesting. You might be familiar with a story Hitchcock told François Truffaut in their 1962 interview about The Lady Vanishes and how it was based on a "true story" of a mother and daughter who traveled to Paris at the start of the Paris Exposition and checked into separate rooms in a hotel. When the daughter woke up from a nap, her mother was gone, her luggage had disappeared, and the room didn't appear to have been slept in. When the daughter asked the desk clerk, he said she'd checked into the hotel alone, and everyone else from the maid to the coachman who'd taken them to the hotel confirmed the desk clerk's story. People assumed the daughter was crazy. In fact, during the daughter's nap, her mother had died of the plague. The hotelier and city officials, fearing a plague scare would keep people away from the Exposition, decided to bury the body and pretend as if the woman had never existed.

That story is actually in the novel, along with several other urban legends that underscore how women are presumed to be neurotic and delusional until proven otherwise, and also how easily a woman's identity can be erased. I really liked that there are stories-within-stories in The Wheel Spins that served to create an atmosphere of paranoia on the train, although I don't think White cashed in on this as effectively as Hitchcock did.

Another thing I found interesting was the role of men in the story. There are only a few male characters, but the women are completely dependent upon them because only the men can communicate with the outside world (well, except for Miss Froy: she speaks 10 languages, although we never actually see her speaking any foreign language during the course of the book). The Professor and "Hare" (a reference to the white rabbit from Alice in Wonderland?), two Englishmen who help Iris, are both linguists and fluent in whatever language the locals speak; but even men who don't speak the language can communicate with the outside world. For example, the clergyman who stayed at the same hotel as Iris left every day to sit with the locals in the village, leaving his wife behind to remark that she didn't know how he communicated with them when he didn't speak one word of the language. A big deal is also made of the fact that Iris is absolutely terrible with languages, so that everything she says to local people on the train is interpreted through a male voice—and a misogynist male who thinks she's by turns annoying and delusional, at that. The Wheel Spins really underscores female dependency on men, much more so than The Lady Vanishes.

I actually did enjoy the first half of The Wheel Spins, but Iris started to get annoying because she constantly runs to either the Professor or Hare to fix things for her when that is CLEARLY not working. Why doesn't she do something herself? The second half is also filled with literally paragraphs upon paragraphs of exposition telling us about character motivation. TELLING, not showing. The conclusion of the novel was also a disappointment. I love the end of The Lady Vanishes movie because Miss Froy turns out to be a badass, and there are a ton of fun magic references and a shoot-out. That does NOT happen in The Wheel Spins. I won't spoil the ending for you, but it was really lame, drawn-out, and anti-climatic.

Basically, you could spend five hours of your life reading this book, or ninety minutes watching the movie. Not to mention the book isn't in the public domain (and yet the movie is... makes no sense), so you actually have to pay for it. Not worth it. I'd only recommend The Wheel Spins/Lady Vanishes to those with a vested interest in Pre-War women and literature.



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Posted in classic, ethel lina white, hitchcock, mystery, thriller | No comments

Friday, July 12, 2013

Rock Stars and Rakes: Two Novellas

Posted on 6:50 PM by Unknown
I've been reading a lot of novellas lately, because that seems like all I have the attention span for at the moment, and these are two of the most memorable. I don't think either warrants a full review, but as a pairing? Why not.


the scandalous dissolute no good mr wright cover

The Scandalous, Dissolute, No-Good Mr. Wright by Tessa Dare


Eliza would love to go to balls and parties like her sisters, but her dad has decided she's a troublemaker and must wait until all of them are married before she can make her debut. In the meantime, she meets Harry Wright, a rakehell who likes to encourage her to misbehave. Is it possible these two crazy kids will get together???

This is the first book I've read by Tessa Dare, and I really enjoyed her voice. It was light-hearted and fun and clever, kind of like Julia Quinn but better (I've never been a big Quinn fan, for what it's worth). That being said, I did have a few problems with this novella.

First (and most) of all, The Scandalous, Dissolute, No-Good Mr. Wright (hereafter known as TSDNGMW, because carpal tunnel) has a prologue. In a novella??? Are you freaking kidding me? What in the name of... ::deep breaths:: Naturally it's not labeled as a prologue, and normally the subsequent rage I would feel over this fact would make me immediately DNF a book; so I think it's a testament to Dare's writing style that I was able to keep reading and not get too upset about it. Somewhat. I tried not to think about it and that almost worked.

The thing with the prologue (yes, I'm going to keep harping on it) was that 1. I could tell while I was reading it that it was a prologue, just because it had that tone of "Oh, I need to capture the reader's attention with a super-intense meet-cute scene;" and 2. the prologue was substantially better than the rest of the book. WHICH IS WHY I FREAKING HATE PROLOGUES. I'm not going to pretend I understand the psychology of writing prologues, because begin at the beginning is like the number one rule of storytelling, but it seems as if prologues are always either different (read: better) stories from the actual novel OR they're just boring and pointless infodumps. And when it comes to the former, one really should be bringing one's A-game that way for the entire book.

That's not to say the rest of TSDNGMW was bad, though. It was still very entertaining and Eliza and Harry had insane chemistry. I also liked how Harry's true character was gradually revealed, although I felt like more could have been done with the story of Eliza's supposed indiscretion. The ending was kind of sappy, hard to believe and didn't gel well with the rest of the book. The heir to a dukedom is going to join the army as a PRIVATE? Yeah, right. That stretches the bounds of credibility even for a romance novel.

Nevertheless, like I said, I did enjoy Dare's writing style and would be willing to read another book by her. As long as it didn't have a prologue.




one hit wonder cover


One Hit Wonder by Elyssa Patrick


Jane is the personal assistant to Damon Suarez (there's an attractive name), a singer who peaked as a teenager with his single hit song. Now in his 30's, Suarez is still living the life: performing in concerts, hanging out with groupies, and perpetually planning his big come-back. Then Jane throws him for a loop when she gives her two weeks notice. He has no idea that Jane is quitting because she's hopelessly in love with him. Will these two crazy kids get together before Jane gathers up her resume and leaves?

russel brand
Visual approximation of Damon Suarez.

One Hit Wonder was kind of hokey and cheesy, but what really bothered me about it was Damon. Imagine if Russel Brand and David Cassidy had a baby with the fashion sense of Rod Stewart and you have a pretty good idea of what Damon is like. Why is this attractive? I don't know. It was kind of a train wreck. Also: why is a one-hit-wonder teen idol considered a "rock star" in this scenario? I'm sorry, but no. If you're going to title your series "Rock Stars in Love," you need to have actual ROCK STARS as your heroes. Not pop stars, not rappers (although I would totally read a book with a rapper hero), not jazz musicians, not folksy singer-song writers, but ACTUAL. ROCK. STARS.

So my sensibilities were offended on that account. Other than that, the romance was kind of meh, the dancing sounded almost as embarrassing as the clothes, and I swear the author mentioned Damon had brown eyes like eighty-five times. I did like the sex scenes, though. wink wink, nudge nudge

Despite my problems with this novella, I would like to read one of Elyssa Patrick's full-length novels, more because I love rock star heroes than because I was terribly enamoured of her writing style. Just as long as the novels have actual rock stars.


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